![]() Each teacher has their own local page such as Guitar Lessons Stoke. If you’re looking for a guitar teacher in your local area, check out their music teacher database to find your local teacher today. Leigh is a professional guitarist and content creator and also works alongside to create guitar focused, educational and entertainment content. This article on dialling in a Keith Richards style tone using Cab Rig was written by Leigh Fuge. 10 Dual Drive, you can download the Cab Rig preset here: If you enjoyed this tone and want to use it in your own Dept. On the master EQ I have cut some more lows and low Mids, but pushed the high mids and highs to once again get the bite that these small amps are known for. Mic wise, you can’t go wrong with a condenser or Ribbon mic, any of the mics here will get you similar results but I’ve gone with the 67 Condenser as this is an industry standard mic that would have made an appearance on at least a handful of Stones tracks. Keith would have mostly used small amps with 8 or 10 inch speakers. The cab I’ve chosen is the 1×10 Classic USA Combo. I’ve also set the Power Amp Drive to max, even though we’re playing on the clean channel, this gives us some of that cranked amp breakup. Keep the Resonance on the lower half because you don’t want too much low end boom here. The amps Keith used are typically 6V6, which is very similar to a 6L6 with a lower headroom. Inside Cab Rig I have chosen the 6L6 Power Amp type. As these amps are American voiced, I have also set the ISF to the American voice. I’ve pushed the mid and treble to try to re-create this iconic amp sound. I’ve cut the bass back slightly as Keith’s usual amp choice does not have a huge low end. On top of the pedal, I am using the Clean channel, with the level cranked. This tone is not modelled after any specific Stones track, but it’s more of a “catch all” Keith Richards style tone to get you in that ballpark. In this lesson we’re going to try to re-create a Keith Richards style tone with just the Dept. So think American voice with a very focused mid range and not a lot of low end. His amp rig is usually made up of cranked, low output Tweed style amps. Thats what Keith Richards would generally tell his longtime guitar tech, Pierre de Beauport, before the start of a. He is sometimes seen wielding an ES335 or Les Paul, but he prefers more single coil/P90 based tones. Keith has provided us with over 60 years of raw, rough and ready rock riffs from a very simple rig.Īt its core, Keith’s rig is usually a Telecaster tuned to Open G (DGDGBD – with the Low D removed) or a Les Paul Junior. When it comes to vintage rock and roll guitar tones, Keith Richards is always someone that guitar players take note of. It’s everything…all over the place.Dial in a Keith Richards Style Tone with the Dual Drive As de Beauport notes: “You walk into the studio and it’s not just a room full of Teles. “But I changed the spacing on the nut to make it five double courses and tuned it to open G.” So, in essence, it’s an acoustic, short-scale counterpart to Richards’ open-G Telecasters-a completely unique instrument. “A tiple is a four-course, 10-string ukulele with two triple courses and two doubles,” de Beauport explains. And the acoustic mix on “Just a Gift” includes one of Richards’ Martin tiples. ![]() Richards’ guitar solo on “Robbed Blind” was played on a 2008 Vicente Carillo classical guitar. “Goodnight Irene” features a truly historic Keef guitar: his 1963 Harmony 1270 12-string acoustic, heard on classic Stones tracks from the Sixties such as “Good Times Bad Times,” “Play with Fire,” “Not Fade Away” and "Tell Me.” Also heard on “Goodnight Irene” is a cavaquinho, a small, guitar-like instrument used in Portuguese and Brazilian music. But as the album delves deeply into his folk and country roots, many other acoustics came into play. ![]() They’re red.” Richards’ main acoustic guitar for the sessions was his 1958 Martin 00-21. It’s one of the most whacked-out amps of the Sixties. Notes: Keith Richards uses the Music Man guitars for standard tuning songs and has one in black and one in white one. And it has a mic stand that pulls out of the top. “It has this other effect that isn’t really reverb, called ‘Halo.’ I think that’s only on channel 4. “It’s a four-channel amp with a Watkins Copicat tape delay build in,” says de Beauport.
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